many contributors + some friends L-->R: Annie Prior Ozsarac, Jessica Lutz, Tana OsaYande, Kathy Hamilton, Jennifer Gokmen, Karen-Claire Voss, Trici Venola, Anastasia Ashman, Suzanne Fowler, Eveline Zoutendijk, Mahira Afridi Perese, Katie Belliel, Ingrid Lunsford, Eppie Ozen, Ann Carlgren
The anthology “successfully transcends the cultural stereotypes so deeply-embedded in perceptions of the Eastern harem.” — from the foreword by Turkish novelist ELIF SHAFAK (Turkish editions only)
CHAPTER ONE: KERVANSARAY Traveling across the country, one witnesses places that still echo a way of life centuries old. Adventure on Anatolian homesteads, intrigue amid Turkey’s natural spectacles, and wonders of the world.
- LOSING MY GENDER AT TROY (MAUREEN BASEDOW) Digging with rural workmen in the 1990s, a Bryn Mawr archaeologist tests the conventional wisdom of gender relations
- DANGERS OF TURKISH TRAVEL (CATHERINE SALTER BAYAR) The perils a Californian executive encounters on an Aegean trip are pleasantly different than those her well-meaning but ill-informed friends warned of
- ORIENTING EXPRESS (JENNIFER EATON GÖKMEN) A dispirited and dependent woman re-empowers herself, taking her visiting Midwestern mother on an adventurous cross-country road trip
- HELLO, I LOVE YOU (AMANDA COFFIN) A computer specialist in her forties struggles to thwart amorous advances of tireless would-be suitors as she tours Eastern Turkey
- CHANGE OF CONTINENT, CHANGE OF HEART (SALLY E. GREEN) Impressed by tolerant, ecumenical Turks, a born-again Christian teenager breaks free of a fundamentalist cult during a 1978 trip to Turkey
CHAPTER TWO: LAST STOP ON THE ORIENT EXPRESS Called Asia Minor by the Romans and the Near East by modern cartographers, continent-straddling Turkey — the last country in Europe and the first in Asia — naturally commits a storyteller to a state of limbo, caught in the ever-shifting flux between Occident and Orient.
- THE PAINTING OR THE BOY (EVELINE ZOUTENDIJK) When a devout employee objects to an Ottoman painting hung in the lobby of a hotel, the Dutch owner has to decipher its mystery and decide a course of action
- CONVERSION IN ERZURUM (SUSAN FLEMING HOLM) In the 1960s, a Peace Corps volunteer in remote Eastern Turkey weighs her cultural assumptions regarding female clothing and taboo body parts
- THE BEAT OF A DIFFERENT DRUMMER (PAT YALE) A Briton wishing to avoid a traditional livestock sacrifice as thanks for her new stone home hopes to repair the town’s Ramazan drums instead
- SAILING TO BYZANTIUM (NATALIE BAKER) A shy Englishwoman finds İstanbul’s ferry system a manageable microcosm of the metropolis and its people
Pat Yale, Trici Venola, Eveline Zoutendijk, Editors, Mahira Afridi-Perese, Katie Belliel
CHAPTER THREE: HAMAM Dynasties of mothers once inspected prospective brides for their sons in the hamam. The Turkish sauna and scrub remains a complex tradition of beauty practice, and female retreat. But far from being cloistered, the impact of women’s culture in Turkey is often full and frontal.
Mahira Afridi-Perese, Tanala OsaYande
- COMING CLEAN IN KAYSERİ (WENDY FOX) In a steamy 13th century Cappadocian bathhouse a morbidly shy English teacher confronts her self-image Read it online
- HAZE (KATHERINE BELLIEL) A heart-broken Michigan girl finds closure in Bursa at an ancient Ottoman bath, nurtured by her would-be Turkish sister-in-law
- THE GODDESS METAMORPHOSIS (KAREN-CLAIRE VOSS) Taking part in a traditional bridal bath in 1995, a New Jersey scholar finds aspects of the ancient goddess culture alive and well in a Turkish hamam in Central Anatolia
- FEMINİSTANBUL (DANA GONZALEZ) A public relations professional seeking the cure for an intimate ailment in İstanbul agonizes over assumed cultural taboos
- WAXING FEMININE (ERICA KAYA) A Tennessee tomboy who equates primping with promiscuity learns a lesson in the İstanbul idea of feminine from her savvy Turkish sister-in-law
CHAPTER FOUR: HENNA’D HANDS Courting etiquette and marriage rituals, from henna tatooing and traditional village bride bargaining to modern civil services of high society, receptions covered by voracious paparazzi. Dating and mating labyrinths.
Eppie Lunsford Ozen with Anastasia
- FOREVER AFTER, FOR NOW (TANALA OSAYANDE) A thirty-year-old African-American reviews the rules of engagement of the Turkish dating scene, where rather than playing it cool the men won’t stop calling
- VILLAGE BRIDE (EPPIE LUNSFORD) In the 1980s, a young woman from rural Tennessee connects to her Appalachian upbringing while participating in theatrical village weddings in Central Turkey
- A FINE KETTLE OF FISH (TRICI VENOLA) Love and chaos are one in the same for a dramatic Kurd and a mid-life Los Angeleno in İstanbul
- TYING THE KNOT, OTTOMAN PRINCESS-STYLE (ANASTASIA M. ASHMAN) A woman from bohemian California finds marrying into the glitzy Turkish culture, surrounded by paparazzi, is the fulfillment of a forgotten wish
CHAPTER FIVE: DARBUKA DRUMBEAT An innate part of the Turkish psyche, folkloric song and dance can erupt at any moment and overwhelm even the most intrepid expatriate.
Diane Caldwell
- DANCING MY WAY HOME (DIANE CALDWELL) A psychoanalyst answers the enticing beat of a Turkish darbuka drum and escapes her rigid, twice-divorced life in Seattle
- FROM THE HIP (SALLY E. GREEN) A writing instructor compares the synthetic, salacious approach to belly dancing in a Colorado recreation center with the spirited communal event she recalls from Turkey
CHAPTER SIX: KIN, CAULDRON AND KISMET The importance of family and the often fatalistic rules of clan devotion require rituals of repast and a team-like sense of humor.
Editors with Catherine Bayar, Tucson AZ
- THE LANGUAGE OF FAMILY (ANA CAROLINA FLETES) Learning from her polished TV host mother-in-law, a Guatemalan grows into her femininity and her family, speaking Turkish with an unrivalled accent
- BOGUS BRIDE (KATHLEEN HAMILTON GÜNDOĞDU) When a gregarious local family in central Turkey plans an elaborate practical joke in 1981, a Texan agrees to play the lead role
- THE FOOD FACTORY (CATHERINE YIĞIT) In a women-filled kitchen on the Black Sea coast, a pregnant Irish gelin, or bride, helps prepare a feast to welcome the family’s next one [read Catherine's story behind the story] Read ‘The Food Factory” on the web.
- CHERRY PIE (MAHIRA AFRIDI-PERESE) An affluent Pakistani who never learned to cook defends her American-born Turkish husband’s right to bake when a man in the kitchen upsets his family patriarch
- WATER UNDER THE BRIDGE (CATHERINE SALTER BAYAR) A clothing producer sets boundaries in the Selçuk home she shares with her Kurdish husband, his parents, and his nine siblings
Editors with Dena Sukaya
CHAPTER SEVEN: PEDDLER IN THE BAZAAR With the historic Silk Road from China to the Mediterranean coursing through Turkey and ending in İstanbul’s Grand Bazaar, vending is in the Turkish blood. The brisk market scene is a way of life.
- THE BUSINESS OF THE BAZAAR (DENA SUKAYA) A Seattle retail executive abandons the boardroom for İstanbul’s Grand Bazaar
- UNPACKING THE PAZAR ARABASI (VALERIE TAŞIRAN) An American-born naturalized Turkish citizen reconciles the meaning of Turkishness with her own Orientalist assumptions
CHAPTER EIGHT: SALVES & SOOTHSAYERS Believers in talismans, since the early days of the Göktürk Empire Turks have clung to their shamanistic roots. Does the witchy wisdom of old wives’ tales and the insight of fortune-tellers apply to everyone on Turkish soil?
Nancy Lunsford and Anastasia, New York
- ANKARA’S FERTILE GROUND (NANCY LUNSFORD) A doubly pregnant Appalachian artist blooms in a land of fecundity and fortune-telling, where popcorn is magical and village midwives more accurate than sonograms Excerpt
- A MOTHER’S CHARMS (MARIA YARBROUGH ORHON) Doubtful of shamanistic charms and rituals in her Turkish husband’s family, a South Carolina woman nevertheless learns to conduct them on her own
- EVIL EYE EXORCISM (ANNIE PRIOR ÖZSARAÇ) When a series of accidents befall a young couple in İstanbul, Turkish relatives call in their Black Sea matriarch to perform a shamanistic exorcism
CHAPTER NINE: HOMESPUN HOSPITALITY Misafır perverlik, traditional Turkish hospitality, is both legendary and inescapable, especially for expatriates who seek to challenge it.
Katie Belliel, Editor Jennifer, Amanda Coffin in Bursa
- RESCUED BY VILLAGE INTELLIGENCE (CLAIRE UHR) Stricken with influenza, a friendless Australian finds surprise succor with unknown Cappadocian neighbors
- FLATTERED (LOUISE RUSKIN) A Briton with a flat tire on an İstanbul road wonders whether she should be alarmed or relieved by the sight of burly Turks approaching Read this online
- THE HEADMAN’S PYJAMAS (JESSICA LUTZ) Village men in a desolate, war-torn border town near Iraq in 2002 maintain impeccable standards of civility towards a Dutch journalist who smuggles herself into their lives Read it
- HIJACKED (KATHLEEN HAMILTON GÜNDOĞDU) Traveling alone by bus to Konya during a military coup, a young American secretary is unexpectedly detoured
- HEDİYE (AMANDA COFFIN) Not bombs and terrorists, but an overly mothering landlady and constant gifts of food pose the largest threat to a peaceful life in Bursa for a lone New Englander
- FAILED MISSIONARY (RHONDA VANDER SLUIS) A Christian evangelist from Iowa is transformed by the compassion of Turkish souls she hopes to save
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