By ANASTASIA ASHMAN
I’ve always admired the rugged ability of certain adventurer-writers to appear masterful in the wider world.
True or not, it’s easy to envision legendary expatriate authors like Karen Blixen and Ernest Hemingway crushing it in their overseas exploits. Satisfying wanderlust. Surviving exotic illness. Operating transnational businesses. Donning local garb or exploration gear. Pictured alone on the landscape, or comfortably surrounded by teeming locals. Iconic.
Then they write personally relevant opuses Out of Africa and The Old Man and the Sea.
Larger-than-life expat writer personalities seem in tune with far-flung surroundings, able to produce their best work from foreign atmospheres.
These two predecessors were clearly troubled. Alcoholism. Venereal disease. Financial ruin. Divorce. Suicide. However, aspiring to their ultimate of travel feats — achieving a personal and professional high point — remains an urge for writers abroad like me.
I explore my own brush with the weight of expat image expectation at a colleague’s blog this week by delving into the photos that correspond with a highlight and a lowlight of my expat experience. Despite previous and future international depths, it only takes one flashbulb moment to remind us we too can outdo ourselves abroad. And that memory can empower us and our expat life for a long time. Take a peek at Unrecognizable vs. Iconic.
Which expat icons do you admire — and when have you found authority overseas?
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Anastasia Ashman is a California-born writer/producer of neoculture entertainment based in Istanbul. This series covers what’s crossing the mind and desk of expat+HAREM’s founder.
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Related posts:
- Lowlights of an expat experience: bluest adventures captured on film
- Disposable liaisons of the traveling class: the questionable cultural exports of sexpats and sex pilgrims
- The expat divide: digital world citizens bridge an opportunity gap
- Reading travelers: find your historical context
- What expat bloggers are made of
