Lowlights of an expat experience: bluest adventures captured on film

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in ANASTASIA ASHMAN,culture,identity,memoir,self-image

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By ANASTASIA ASHMAN

Numerous primitive and tribal cultures believe a person’s soul is stolen when they’re photographed. I wonder if a photograph shows a soul being drained.

I’m delving into mental and photographic snapshots of my 12 year expat experience for a colleague’s blog: one highlight, one lowlight. The lowlight will be hard to choose.

My five years in Asia in the ’90s would amount to great adventure for most people, yet the evidence clumps together in my least favorite albums.

Off-camera life losses — separation from family, friends, language, community, the death of my best friend, the theft of my puppy, you name I lost it during my first longterm stint abroad — are reflected on-camera. Stripped of my cosmopolitan composure. Confident clothing. Gleaming skin. Chocolate curls. Toothy smile. Layer by layer, country by country, year by year I deplete and erode.

There are some monstrous stunners here.

Sweaty and sun-damaged with unschooled fluffball haircut, captured in the gracious gardens of Raffles Hotel. I’d given up sunscreen, as well as hair products and all hope of finding a stylist who understood fine and curly.

On the Great Wall of China, scowling Westerner in unladylike Doc Martens and baggy seersucker shorts (the only ones in the shops, I swear!), surrounded by svelte Chinese girls in platform shoes cheerfully waving tour company flags.

Thankfully these days the likelihood of snapping a picturesque portrait has gone way up even if my background doesn’t always match me.

What do your bluest adventure images depict and how do they reveal the soul’s resiliency?

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Anastasia Ashman is a California-born writer/producer of neoculture entertainment based in Istanbul. This series covers what’s crossing the mind and desk of expat+HAREM’s founder.
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  • http://about.me/anastasia.ashman Anastasia

    Here’s the post I wrote for Amanda van Mulligen’s blog:

    MONDAY, MAY 17, 2010Guest Post Series: Expat Images: Unrecognisable vs. Iconic by Anastasia AshmanOn my first serious expat stint, Southeast Asia in the ‘90s, I achieved a state of photographic oblivion.When I set out from Los Angeles I was already solidly unemployed, unproductive, and unmotivated. I had a capricious romance to see me through. In Asia, life losses piled up: heirlooms ransacked at the container yard, the cruel theft of a puppy, the unfathomable demise of my best friend.I did not write about any of these things. Too much shock, no support. Turns out capricious romance isn’t the best fallback in a crisis.Language and cultural barriers shielded me from bonding with the Chinese and Malays and Tamils and Thais around me. My reactions were miscalibrated: I laughed when introduced to a person with the name of a celebrated American boxer – a common moniker in Malaysia — and took offense at the quickly-retracted handshake of a traditional Malay greeting. I also mistakenly expected dinner party banter at gatherings that focused on the scarfing of food in silence.Soon enough I was as unrecognisable as my new world. My own body was erasing me. A spongy, knee-less Southern Italian genetic inheritance asserted itself with the help of a greasy local diet while my hair frizzed mercilessly in the tropical air.Friends who knew me during cosmopolitan past lives in New York, California, and Italy wouldn’t identify me as the 30-pounds heavier creature with the ill-fitting clothes and unschooled haircut photographed in jungles and palaces. Uprooted from my milieu, in a harsh climate and surrounded by perpetual strangers, I was desperate to locate comfort whatever the cost. My Asia photographs are stowed, an expat adventure distressing to recall, impossible to frame.Scraping bottom (especially on the far side of the world) has a benefit. It’s easy to see which way is up. My 12-time zone couch surf back to New York was like a Phoenix’s ascent from the ashes.Recently I’ve been monstrous abroad again. Breathe easy: happily married, in possession of a hard won sense of self.This particular snapshot of expat life is a mantle piece pride. There I am in 2005 commandeering the lens, the microphone, the printing press in Istanbul as Turkish newspapers and television discuss my expat literature collectionby foreign women about their lives in modern Turkey. Tales not universally known, many writers never before published. All of them minority voices in a Muslim nation with a reputation for censorship.The celebrity-studded book launch is a blur, except for my unauthorly leather pants and shiny rock star coiffure — those are in fine focus in my mind’s eye! I haven’t often been so polished before or since, nor managed to squeeze into the lambskin trousers, but no matter. As a coiner of the concept of the Expat Harem virtual community — feminine storytellers making sense of life’s evolutions through the filter of another culture — in a flash I became iconic.A positive image of an expat to others, and to myself.The fleeting, picturesque moment captures an enduring truth about my expatriatism. In a wide world of strangers I’ve finally found my perpetual peers, and a theoretical home for both my literary career and my life abroad. Now I have a way to nurture and sustain my most valuable expatriate possession — my sense of self — no matter where I am, or what heights or depths I face.

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  • http://www.Sezin.org Sezin

    This is a wonderful post, Anastasia. With my recent foray into photography I’ve been doing quite a few self portraits a la Frida Kahlo. I’ve tried to expand my expressions from the big smile most people recognise of “iconic” me to trying to capture tears, sadness, silliness and everything else in between. All of a sudden, the photos I find most fascinating to look at and share are the so-called blue ones. It’s so satisfying to see how much can be conveyed through one’s eyes, and there’s something of a validation to see more than just a mask of happiness. We have such a wide range of emotions that should all be celebrated in some way, even if they are challenging emotions.

    Thanks so much for this post. Yet another sign from the universe that I am doing exactly what I should be doing.

    xoxo

    • Anastasia M. Ashman

      Thanks Sezin, somehow I missed responding to your comment!

      A “mask of happiness” hides from us so much more than we think. I would love to exhibit your Kahlo-esque portraits at expat+HAREM if you’d be interested…

      • http://www.Sezin.org Sezin

        I would love that, thank you so much!

        What’s the best way to show you what I’ve got at the moment?

        You are so cool. :-)

  • http://www.Sezin.org Sezin

    This is a wonderful post, Anastasia. With my recent foray into photography I’ve been doing quite a few self portraits a la Frida Kahlo. I’ve tried to expand my expressions from the big smile most people recognise of “iconic” me to trying to capture tears, sadness, silliness and everything else in between. All of a sudden, the photos I find most fascinating to look at and share are the so-called blue ones. It’s so satisfying to see how much can be conveyed through one’s eyes, and there’s something of a validation to see more than just a mask of happiness. We have such a wide range of emotions that should all be celebrated in some way, even if they are challenging emotions.

    Thanks so much for this post. Yet another sign from the universe that I am doing exactly what I should be doing.

    xoxo

    • http://www.expatharem.com/identity-messages/ Anastasia

      Thanks Sezin, somehow I missed responding to your comment!

      A “mask of happiness” hides from us so much more than we think. I would love to exhibit your Kahlo-esque portraits at expat+HAREM if you’d be interested…

      • http://www.Sezin.org Sezin

        I would love that, thank you so much!

        What’s the best way to show you what I’ve got at the moment?

        You are so cool. :-)

  • http://www.bazaarbayar.etsy.com Catherine Bayar

    If eyes truly are the windows to the soul, perhaps the emotions captured in a photo and perceived by the viewer really do ‘steal’ something, by offering a glimpse into that person’s interior being, not just their exterior visage. Recognizing something universal, but also extremely personal.

    I realize that I have almost no ‘blue’ images of myself. I seem to only capture (or maybe just keep) the highlights. Is this my visual way of editing my past, by only retaining the happy moments?

    As always, your posts linger in my brain for days after I first read them – but in a soul-filling, not draining way.

    • http://www.retaggr.com/Card/AnastasiaAshman Anastasia M. Ashman

      True, Catherine. Even if we don’t know a person, we recognize “a look in the eye.”

      I’d probably have edited all of these images from my history too, if only they didn’t completely represent adventures I want to remember for other reasons than how I was feeling.

  • http://www.bazaarbayar.blogspot.com Catherine Bayar

    If eyes truly are the windows to the soul, perhaps the emotions captured in a photo and perceived by the viewer really do ‘steal’ something, by offering a glimpse into that person’s interior being, not just their exterior visage. Recognizing something universal, but also extremely personal.

    I realize that I have almost no ‘blue’ images of myself. I seem to only capture (or maybe just keep) the highlights. Is this my visual way of editing my past, by only retaining the happy moments?

    As always, your posts linger in my brain for days after I first read them – but in a soul-filling, not draining way.

    • http://www.expatharem.com/identity-messages/ Anastasia

      True, Catherine. Even if we don’t know a person, we recognize “a look in the eye.”

      I’d probably have edited all of these images from my history too, if only they didn’t completely represent adventures I want to remember for other reasons than how I was feeling.

  • http://cocreatr.typepad.com CoCreatr

    Soul-stealing by photography – an interesting belief. Challenges my mind to imagine how this way of thinking could come about. So if you look at someone and subjectively perceive the soul and you look at a photo and feel the same – is that what they call stolen? A likeness made in the image of the person. Soulful copies.

    Glad to see your likeness in another time and space, Anastasia. While the body may wear down, the soul wises up.

    • Anastasia

      Thanks Bernd. The soul ‘wising up’, I like that.

      The soul may not be taken by a photo, but it can be captured in a moment….

  • http://cocreatr.typepad.com CoCreatr

    Soul-stealing by photography – an interesting belief. Challenges my mind to imagine how this way of thinking could come about. So if you look at someone and subjectively perceive the soul and you look at a photo and feel the same – is that what they call stolen? A likeness made in the image of the person. Soulful copies.

    Glad to see your likeness in another time and space, Anastasia. While the body may wear down, the soul wises up.

    • http://www.expatharem.com/identity-messages/ Anastasia

      Thanks Bernd. The soul ‘wising up’, I like that.

      The soul may not be taken by a photo, but it can be captured in a moment….

  • kari m.

    Anastasia, I think by now I can only surrender to the appreciation of the fact that your posts here keep being very resonant with my own thoughts and energy. Thank you, and here we go…

    This I could not have written one year ago when at the time the grief from the recent passing of my mother was still painfully raw. I have a black and white photo of myself where I am hidden behind dark sunglasses while smiling to my surroundings. Only a few would know that this photo was shot in the afternoon of the actual day of the funeral, and the sheer exhaustion from the intensity of this life changing moment made me smile, while inside there was mostly numbness and too much grief to take in. So a black and white photo is my bluest image and for my own eyes today it still captures everything…

    Sometimes a smile can create distance, a self-protective distance. At the same time the very same smile also depicts the wonderful resiliency of a soul undergoing a tough experience, as it did for me.

    • Anastasia M. Ashman

      Thanks Kari, so sorry for your loss.

      I love what you say about smiling to yourself. Like a little vote of confidence from somewhere inside that says “you’re going to get through this”.

  • kari m.

    Anastasia, I think by now I can only surrender to the appreciation of the fact that your posts here keep being very resonant with my own thoughts and energy. Thank you, and here we go…

    This I could not have written one year ago when at the time the grief from the recent passing of my mother was still painfully raw. I have a black and white photo of myself where I am hidden behind dark sunglasses while smiling to my surroundings. Only a few would know that this photo was shot in the afternoon of the actual day of the funeral, and the sheer exhaustion from the intensity of this life changing moment made me smile, while inside there was mostly numbness and too much grief to take in. So a black and white photo is my bluest image and for my own eyes today it still captures everything…

    Sometimes a smile can create distance, a self-protective distance. At the same time the very same smile also depicts the wonderful resiliency of a soul undergoing a tough experience, as it did for me.

    • http://www.expatharem.com/identity-messages/ Anastasia

      Thanks Kari, so sorry for your loss.

      I love what you say about smiling to yourself. Like a little vote of confidence from somewhere inside that says “you’re going to get through this”.

  • http://www.silvanamondo.silvanastyle.com Silvana

    I love the way this question asks a positive request from a sad perspective: ‘What do your bluest images depict and how do they reveal the soul’s resiliency?’ When something unsettling happens in our lives each one of us deals differently on the outside and yet our eyes are marked with that look of struggling through the pain or confusion that everyone can recognize as familiar in themselves. I would call this look ‘soul resiliency’.

    • Anastasia M. Ashman

      Thanks a lot Silvana…it sometimes seems we don’t dwell much on dark days we’ve passed, but if and when we do — we gain a new appreciation for our own survival. Our ability to bounce back.

  • http://www.silvanamondo.silvanastyle.com Silvana

    I love the way this question asks a positive request from a sad perspective: ‘What do your bluest images depict and how do they reveal the soul’s resiliency?’ When something unsettling happens in our lives each one of us deals differently on the outside and yet our eyes are marked with that look of struggling through the pain or confusion that everyone can recognize as familiar in themselves. I would call this look ‘soul resiliency’.

    • http://www.expatharem.com/identity-messages/ Anastasia

      Thanks a lot Silvana…it sometimes seems we don’t dwell much on dark days we’ve passed, but if and when we do — we gain a new appreciation for our own survival. Our ability to bounce back.

  • http://www.dutchessabroad.com Judith van Praag

    My goodness Anastasia. The photo that comes to mind immediately is of my husband and I posing at the 50th birthday party of an older friend five months after we lost our baby-girl at birth. I’m wearing a dress that in happier times had made me feel like Marilyn when I crossed a metro grid, giddy with youthful shame, and a smile that belied the look in my eyes. We were trying so hard to be good company, but as another friend had told me “the twinkle was gone from my eyes”.
    But I’ve got that sparkle back, even though it may at times dim with the recollection of what we miss.

    • Anastasia M. Ashman

      Sadness in a party dress. That’s a very poignant image Judith, thanks for sharing. My condolences.

  • Anonymous

    My goodness Anastasia. The photo that comes to mind immediately is of my husband and I posing at the 50th birthday party of an older friend five months after we lost our baby-girl at birth. I’m wearing a dress that in happier times had made me feel like Marilyn when I crossed a metro grid, giddy with youthful shame, and a smile that belied the look in my eyes. We were trying so hard to be good company, but as another friend had told me “the twinkle was gone from my eyes”.
    But I’ve got that sparkle back, even though it may at times dim with the recollection of what we miss.

    • http://www.expatharem.com/identity-messages/ Anastasia

      Sadness in a party dress. That’s a very poignant image Judith, thanks for sharing. My condolences.

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