By JOCELYN EIKENBURG
Ailin sings a fierce karaoke song, loves pink pastel T-shirts, paints squiggly green snakes, and isn’t afraid to argue with a bus driver. I know her well — because Ailin is me, when I’m in China.
When you live in another country and culture — where the old rules don’t apply — the idea of “me” changes.
An expat persona offers the freedom to redefine who you are, and what you want to be.
It is perhaps the one unspoken delight of living in another country.
Ailin wasn’t just an escape from who I used to be, but an identity transformation. Ailin nurtured my creativity, like SARK, breaking away from my biology degree. I found my writer’s voice through blogging, and played with watercolors, creating everything from serpents to cicadas. Ailin helped me overcome stage-fright through karaoke. Channeling the Taiwanese pop-star Jay Chou at the microphone gave me courage to stand up before a group, like my company’s formal Christmas party in 2005. Through Ailin, I learned Mandarin Chinese and its idioms, each like a four-character poem. With this new language, I touched the heart of the Chinese man I eventually married.
Yet, after five and a half years, Ailin is less of a persona and more of who I really am. If only Ailin could fully translate into the United States — or even Idaho, where we now live. Most of my friends and family will never appreciate my Chinese, how I sing the dreamy ballad “Rice Aroma”, or what it’s like to be a yangxifu — a foreign wife in China. I feel fractured, a caricature of the girl I once was in Asia.
Then I retire to my room and summon Ailin, as I continue one of her lasting legacies. I write about China.
How has your expat identity transformed you?
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Jocelyn Eikenburg is the writer and Chinese translator behind Speaking of China.
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