By ANASTASIA ASHMAN
…first I’d escaped the radical provincialism of my hometown by shipping off to a ruggedly urbane college; traded suburban Philly rhythms for the pulse of Manhattan; sought relief from the big-city crush by moving to big-sky LA, and finally enticed to boomtown Asia. As one person put it, “taking the geographical cure.”
Iyer’s a travel writer, Third Culture Kid and global nomad, an ethnic Indian raised in California, settled in Japan. He reasoned in his 1997 collection of essays about society, culture and the human spirit that if nowhere in the world is home, all the world is home.
The happy syllogism — or is it rootless predicament? — resonated with me as I jockeyed for a foothold in Asia. I wondered if my acclimation was helped or hindered by a progressive Western upbringing laced by traditional Eastern influences: Kodokan judo instructors, Asian-American summer camps, ‘Asian-cluster’ classrooms. I knew far too much about the East to ignore it for my Western convenience but that didn’t make me Asian.
A decade later PEN American Center’s World Voices festival of international literature asked panelists (Iyer among the writers-in-exile) “How do we define the places we live and how do they define us?”
Where I’ve lived has made the world more accessible but leaves me craving opposing aspects of other places and other mes. New York, California. East, West. Country, cosmopolis. Even though 2009 marks the longest I’ve stayed in one spot for 20 years Istanbul won’t remain my base forever.
How have the places you’ve lived defined you, and shaped your idea of home? Do you feel at home now?
Anastasia Ashman is a California-born writer/producer of neoculture entertainment based in Istanbul. This series covers what’s crossing the mind and desk of expat+HAREM’s founder.